art and writing references
writing specific characters - advice
Masterlist of Writing Help for Writers

hermajestyhelps:

*always adding more

General Writing Tips, Guides and Advice

Plot and Conflict

Character Development

Spelling, Punctuation and Grammar

All About Names

Genre Based

Other

A Tutorial Masterpost

norisus:

I said that I’d show some tutorials I have saved up to someone, but decided that I’d just go ahead and post most of what I have stored away and create a sort of masterpost out of it. (I figure it’ll help me just as much since, as of now, they’re all pretty scattered between my Tumblr and bookmarks)

A lot of these are hosted on my personal Tumblr, but I don’t change my url so it’s pretty safe to bookmark them there (and not have to worry about the url changing) if you don’t wish to reblog them yourself for whatever reason.

Feline tutorials:

Canine tutorials:

Avian tutorials:

Human(oid) tutorials:

Dragon tutorials (and bat wings):

Equine tutorials:

Cervine tutorials:

Ursine tutorials:

Miscellaneous animal tutorials:

Background and objects tutorials:

Clothing tutorials:

General painting, drawing, and style tips:

Hope these help!

prompts-and-pointers:

And your best friend might just be this post.

prompts-and-pointers:

And your best friend might just be this post.

capnkenway:

theinformationdump:

Body Language Cheat Sheet for Writers

As described by Selnick’s article:

Author and doctor of clinical psychology Carolyn Kaufman has released a one-page body language cheat sheet of psychological “tells” (PDF link) fiction writers can use to dress their characters.

yes yes yesss

amandaonwriting:

Character Flaws

  1. Absent-minded - Preoccupied to the extent of being unaware of one’s immediate surroundings. Abstracted, daydreaming, inattentive, oblivious, forgetful.
  2. Abusive - Characterized by improper infliction of physical or psychological maltreatment towards another.
  3. Addict - One who is addicted to a compulsive activity. Examples: gambling, drugs, sex.
  4. Aimless - Devoid of direction or purpose.
  5. Alcoholic - A person who drinks alcoholic substances habitually and to excess.
  6. Anxious - Full of mental distress or uneasiness because of fear of danger or misfortune; greatly worried; solicitous.
  7. Arrogant - Having or displaying a sense of overbearing self-worth or self-importance. Inclined to social exclusiveness and who rebuff the advances of people considered inferior. Snobbish.
  8. Audacious - Recklessly bold in defiance of convention, propriety, law, or the like; insolent; braze, disobedient.
  9. Bad Habit - A revolting personal habit. Examples: picks nose, spits tobacco, drools, bad body odour.
  10. Bigmouth - A loud-mouthed or gossipy person.
  11. Bigot - One who is strongly partial to one’s own group, religion, race, or politics and is intolerant of those who differ.
  12. Blunt - Characterized by directness in manner or speech; without subtlety or evasion. Frank, callous, insensitive, brusque.
  13. Bold - In a bad sense, too forward; taking undue liberties; over assuming or confident; lacking proper modesty or restraint; rude; impudent. Abrupt, brazen, cheeky, brassy, audacious.
  14. Callous - They are hardened to emotions, rarely showing any form of it in expression. Unfeeling. Cold.
  15. Childish - Marked by or indicating a lack of maturity; puerile.
  16. Complex - An exaggerated or obsessive concern or fear. (List specific complex.)
  17. Cruel - Mean to anyone or anything, without care or regard to consequences and feelings.
  18. Cursed - A person who has befallen a prayer for evil or misfortune, placed under a spell, or borne into an evil circumstance, and suffers for it. Damned.
  19. Dependent - Unable to exist, sustain oneself, or act appropriately or normally without the assistance or direction of another.
  20. Deranged - Mentally decayed. Insane. Crazy. Mad. Psychotic.
  21. Dishonest – Given to or using fraud, cheating; deceitful, deceptive, crooked, underhanded.
  22. Disloyal - Lacking loyalty. Unfaithful, perfidious, traitorous, treasonable
  23. Disorder - An ailment that affects the function of mind or body. (List the disorders name if they have one.) See the Mental Disorder List.
  24. Disturbed - Showing some or a few signs or symptoms of mental or emotional illness. Confused, disordered, neurotic, troubled.
  25. Dubious - Fraught with uncertainty or doubt. Undecided, doubtful, unsure.
  26. Dyslexic - Affected by dyslexia, a learning disorder marked by impairment of the ability to recognize and comprehend written words.
  27. Egotistical - Characteristic of those having an inflated idea of their own importance. Boastful, pompous.
  28. Envious - Showing extreme cupidity; painfully desirous of another’s advantages; covetous, jealous.
  29. Erratic - Deviating from the customary course in conduct or opinion; eccentric: erratic behaviour. Eccentric, bizarre, outlandish, strange.
  30. Fanatical - Fanatic outlook or behaviour especially as exhibited by excessive enthusiasm, unreasoning zeal, or wild and extravagant notions on some subject.
  31. Fickle – Erratic, changeable, unstable - especially with regard to affections or attachments; capricious.
  32. Fierce - Marked by extreme intensity of emotions or convictions; inclined to react violently; fervid.
  33. Finicky - Excessively particular or fastidious; difficult to please; fussy. Too much concerned with detail. Meticulous, fastidious, choosy, critical, picky, prissy, pernickety.
  34. Fixated - In psychoanalytic theory, a strong attachment to a person or thing, especially such an attachment formed in childhood or infancy and manifested in immature or neurotic behaviour that persists throughout life. Fetish, quirk, obsession, infatuation.
  35. Flirt -To make playfully romantic or sexual overtures; behaviour intended to arouse sexual interest. Minx. Tease.
  36. Gluttonous - Given to excess in consumption of especially food or drink. Voracious, ravenous, wolfish, piggish, insatiable.
  37. Gruff - Brusque or stern in manner or appearance. Crusty, rough, surly.
  38. Gullible - Will believe any information given, regardless of how valid or truthful it is, easily deceived or duped.
  39. Hard - A person who is difficult to deal with, manage, control, overcome, or understand. Hard emotions, hard hearted.
  40. Hedonistic - Pursuit of or devotion to pleasure, especially to the pleasures of the senses.
  41. Hoity-toity- Given to flights of fancy; capricious; frivolous. Prone to giddy behaviour, flighty.
  42. Humourless - The inability to find humour in things, and most certainly in themselves.
  43. Hypocritical - One who is always contradicting their own beliefs, actions or sayings. A person who professes beliefs and opinions for others that he does not hold. Being a hypocrite.
  44. Idealist - One whose conduct is influenced by ideals that often conflict with practical considerations. One who is unrealistic and impractical, guided more by ideals than by practical considerations.
  45. Idiotic - Marked by a lack of intelligence or care; foolish or careless.
  46. Ignorant - Lacking knowledge or information as to a particular subject or fact. Showing or arising from a lack of education or knowledge.
  47. Illiterate - Unable to read and write.
  48. Immature - Emotionally undeveloped; juvenile; childish.
  49. Impatient - Unable to wait patiently or tolerate delay; restless. Unable to endure irritation or opposition; intolerant.
  50. Impious - Lacking piety and reverence for a god/gods and their followers.
  51. Impish - Naughtily or annoyingly playful.
  52. Incompetent - Unable to execute tasks, no matter how the size or difficulty.
  53. Indecisive - Characterized by lack of decision and firmness, especially under pressure.
  54. Indifferent - The trait of lacking enthusiasm for or interest in things generally, remaining calm and seeming not to care; a casual lack of concern. Having or showing little or no interest in anything; languid; spiritless.
  55. Infamy - Having an extremely bad reputation, public reproach, or strong condemnation as the result of a shameful, criminal, or outrageous act that affects how others view them.
  56. Intolerant - Unwilling to tolerate difference of opinion and narrow-minded about cherished opinions.
  57. Judgemental - Inclined to make and form judgements, especially moral or personal ones, based on one’s own opinions or impressions towards others/practices/groups/religions based on appearance, reputation, occupation, etc.
  58. Klutz - Clumsy. Blunderer.
  59. Lazy - Resistant to work or exertion; disposed to idleness.
  60. Lewd - Inclined to, characterized by, or inciting to lust or lechery; lascivious. Obscene or indecent, as language or songs; salacious.
  61. Liar - Compulsively and purposefully tells false truths more often than not. A person who has lied or who lies repeatedly.
  62. Lustful - Driven by lust; preoccupied with or exhibiting lustful desires.
  63. Masochist - The deriving of sexual gratification, or the tendency to derive sexual gratification, from being physically or emotionally abused. A willingness or tendency to subject oneself to unpleasant or trying experiences.
  64. Meddlesome - Intrusive in a meddling or offensive manner, given to meddling; interfering.
  65. Meek - Evidencing little spirit or courage; overly submissive or compliant; humble in spirit or manner; suggesting retiring mildness or even cowed submissiveness.
  66. Megalomaniac - A psycho pathological condition characterized by delusional fantasies of wealth, power, or omnipotence.
  67. Naïve - Lacking worldly experience and understanding, simple and guileless; showing or characterized by a lack of sophistication and critical judgement.
  68. Nervous - Easily agitated or distressed; high-strung or jumpy.
  69. Non-violent - Abstaining from the use of violence. 
  70. Nosey - Given to prying into the affairs of others; snoopy. Offensively curious or inquisitive.
  71. Obsessive - An unhealthy and compulsive preoccupation with something or someone.
  72. Oppressor - A person of authority who subjects others to undue pressures, to keep down by severe and unjust use of force or authority.
  73. Overambitious - Having a strong excessive desire for success or achievement.
  74. Overconfident - Excessively confident; presumptuous.
  75. Overemotional - Excessively or abnormally emotional. Sensitive about themselves and others, more so than the average person.
  76. Overprotective - To protect too much; coddle.
  77. Overzealous - Marked by excessive enthusiasm for and intense devotion to a cause or idea.
  78. Pacifist - Opposition to war or violence as a means of resolving disputes. (Can double as a merit in certain cases)
  79. Paranoid - Exhibiting or characterized by extreme and irrational fear or distrust of others.
  80. Peevish - Expressing fretfulness and discontent, or unjustifiable dissatisfaction. Cantankerous, cross, ill-tempered, testy, captious, discontented, crotchety, cranky, ornery.
  81. Perfectionist - A propensity for being displeased with anything that is not perfect or does not meet extremely high standards.
  82. Pessimist - A tendency to stress the negative or unfavourable or to take the gloomiest possible view.
  83. Pest - One that pesters or annoys, with or without realizing it. Nuisance. Annoying. Nag.
  84. Phobic – They have a severe form of fear when it comes to this one thing. Examples: Dark, Spiders, Cats 
  85. Practical - Level-headed, efficient, and unspeculative. No-nonsense. 
  86. Predictable - Easily seen through and assessable, where almost anyone can predict reactions and actions of said person by having met or known them even for a short time.
  87. Proud - Filled with or showing excessive self-esteem and will often shirk help from others for the sake of pride.
  88. Rebellious - Defying or resisting some established authority, government, or tradition; insubordinate; inclined to rebel.
  89. Reckless - Heedless. Headstrong. Foolhardy. Unthinking boldness, wild carelessness and disregard for consequences.
  90. Remorseless - Without remorse; merciless; pitiless; relentless.
  91. Rigorous - Rigidly accurate; allowing no deviation from a standard; demanding strict attention to rules and procedures.
  92. Sadist - The deriving of sexual gratification or the tendency to derive sexual gratification from inflicting pain or emotional abuse on others. Deriving of pleasure, or the tendency to derive pleasure, from cruelty.
  93. Sadomasochist - Both sadist and masochist combined.
  94. Sarcastic - A subtle form of mockery in which an intended meaning is conveyed obliquely.
  95. Sceptic - One who instinctively or habitually doubts, questions, or disagrees with assertions or generally accepted conclusions.
  96. Seducer - To lead others astray, as from duty, rectitude, or the like; corrupt. To attempt to lead or draw someone away, as from principles, faith, or allegiance.
  97. Selfish - Concerned chiefly or only with oneself.
  98. Self-Martyr - One who purposely makes a great show of suffering in order to arouse sympathy from others, as a form of manipulation, and always for a selfish cause or reason.
  99. Self-righteous - Piously sure of one’s own righteousness; moralistic. Exhibiting pious self-assurance. Holier-than-thou, sanctimonious.
  100. Senile - Showing a decline or deterioration of physical strength or mental functioning, esp. short-term memory and alertness, as a result of old age or disease.
  101. Shallow - Lacking depth of intellect or knowledge; concerned only with what is obvious.
  102. Smart Ass - Thinks they know it all, and in some ways they may, but they can be greatly annoying and difficult to deal with at times, especially in arguments.
  103. Soft-hearted - Having softness or tenderness of heart that can lead them into trouble; susceptible of pity or other kindly affection. They cannot resist helping someone they see in trouble, suffering or in need, and often don’t think of the repercussions or situation before doing so.
  104. Solemn - Deeply earnest, serious, and sober.
  105. Spineless - Lacking courage. Cowardly, wimp, lily-livered, gutless.
  106. Spiteful - Showing malicious ill will and a desire to hurt; motivated by spite; vindictive person who will look for occasions for resentment. Vengeful.
  107. Spoiled - Treated with excessive indulgence and pampering from earliest childhood, and has no notion of hard work, self-care or money management; coddled, pampered. Having the character or disposition harmed by pampering or over-solicitous attention.
  108. Squeamish - Excessively fastidious and easily disgusted.
  109. Stubborn - Unreasonably, often perversely unyielding; bull-headed. Firmly resolved or determined; resolute.
  110. Superstitious - An irrational belief arising from ignorance or fear from an irrational belief that an object, action, or circumstance not logically related to a course of events influences its outcome.
  111. Tactless - Lacking or showing a lack of what is fitting and considerate in dealing with others.
  112. Temperamental - Moody, irritable, or sensitive. Excitable, volatile, emotional.
  113. Theatrical - Having a flair for over dramatizing situations, doing things in a ‘big way’ and love to be ‘centre stage’.
  114. Timid -Tends to be shy and/or quiet, shrinking away from offering opinions or from strangers and newcomers, fearing confrontations and violence.
  115. Tongue-tied - Speechless or confused in expression, as from shyness, embarrassment, or astonishment.
  116. Troublemaker - Someone who deliberately stirs up trouble, intentionally or unintentionally.
  117. Unlucky - Marked by or causing misfortune; ill-fated. Destined for misfortune; doomed.
  118. Unpredictable - Difficult to foretell or foresee, their actions are so chaotic it’s impossible to know what they are going to do next.
  119. Untrustworthy - Not worthy of trust or belief. Backstabber.
  120. Vain - Holding or characterized by an unduly high opinion of their physical appearance. Lovers of themselves. Conceited, egotistic, narcissistic.
  121. Weak-willed - Lacking willpower, strength of will to carry out one’s decisions, wishes, or plans. Easily swayed.
  122. Withdrawn - Not friendly or Sociable. Aloof.
  123. Zealous - A fanatic.

From The Character Therapist

a massively extended version of ruthlesscalculus’ post

General Tips

Character Development

Female Characters

Male Characters

Tips for Specific Characters

Dialogue

Point of View

Plot, Conflict, Structure and Outline

Setting & Worldbuilding

Creativity Boosters* denotes prompts

Revision & Grammar

Tools & Software

Specific Help

homestuckresources:

found on the mspaforums


Have you ever wanted to do gradients, but all you had to work with was Paint? Don’t worry—though it’s not a listed feature, you can make gradients in Paint. (Note: gradients are higher quality than is demonstrated in this gif; gifs only support 256 colors per frame, so it can’t get every degree of color. For instance,the first frame in the gif looked like this.)
If you’d like to do horizontal gradients, you do the same thing, except you adjust the vertical aspect in the shrinking/stretching. If you’d like to do diagonal gradients, make a vertical gradient, but then go into “stretch/skew” and VERTICALLY skew the gradient 45 degrees (or -45, or any other degree, depending on how diagonal you want your gradient to be); then, crop the gradient to the part you want. When you make diagonal gradients, you may have to stretch the image out after skewing.

homestuckresources:

found on the mspaforums

Have you ever wanted to do gradients, but all you had to work with was Paint? Don’t worry—though it’s not a listed feature, you can make gradients in Paint. (Note: gradients are higher quality than is demonstrated in this gif; gifs only support 256 colors per frame, so it can’t get every degree of color. For instance,the first frame in the gif looked like this.)

If you’d like to do horizontal gradients, you do the same thing, except you adjust the vertical aspect in the shrinking/stretching. If you’d like to do diagonal gradients, make a vertical gradient, but then go into “stretch/skew” and VERTICALLY skew the gradient 45 degrees (or -45, or any other degree, depending on how diagonal you want your gradient to be); then, crop the gradient to the part you want. When you make diagonal gradients, you may have to stretch the image out after skewing.

Do Stories Need To Have an Antagonist?

fuckyeahcharacterdevelopment:

hi! i was hoping you could help me out because i’ve gotten differing opinions on this : in order to make a story work, do you have to have a clear cut antagonist, like one that the reader can look at and go,” yup, that’s who we’re not rooting for”? or do you even have to have an antagonist at all ( the short story i’ve been writing is not set in a fantasy/ sci-fi setting)? thank you!

Nope, not a bit! 

I’m told that there are three basic kinds of conflict:
Man vs. Self, Man vs. Man, and Man vs. Nature. 
Self means an internal conflict (Pen trying to force herself to write three more pages when she’s been up for 24 hours), vs. Man means person to person conflicts (in a literal sense, Covert and I in a gladiatorial battle with swords, in a less literal sense, Shannah and I locked in a tumblr death match in which we both try to disprove the other’s theory. In both cases they would be a clear cut antagonist (the readers are rooting for me, right? Haha.)) and Nature means going up against a force that cannot be controlled- like a tornado or sinking ship (in this case, the admins of FYCD could be stranded on a frozen mountainside, struggling to survive).
You could have a fascinating story full of conflict with only one character, if you select Man vs. Self or Man vs. Nature.  
Lots of stories are a blend- ex., The Tale of the Mountain-Stranded Admins could combine Man vs. Nature (surviving the conditions) Man vs. Self (we struggle to hold on to our sanity) and Man vs. Man (Covert and I mutiny at the lack of pizza and try to kill and eat Pen).  

You can also have a story with many small antagonists, or ones that trade out. 

You can have an apparent antagonist, who is, in fact, less of an antagonist than the characters believe. The aliens in Ender’s Game, for example- everyone on Earth thought that, because of a previous attack, the aliens would return to destroy humans. The book is about humans going to great lengths to exterminate the aliens out of fear- only for the main character, Ender, to discover at the conclusion that the aliens had not realized that the humans they had killed were all sentient individuals at the time. They repented and left upon that realization, but had no way to communicate this to the humans. So the book was less about aliens attacking Earth, and more about what people would do if they thought that that would happen. 

And, of course, you can have an antagonist that readers do NOT go, ” yup, that’s who we’re not rooting for”- a sympathetic antagonist

You can even have a story totally without conflict- here’s an article about Kishōtenketsu, which is a Japanese concept that we had up a bit ago. It reminds me of the ‘Slice of Life’ genre of manga, which focuses more on people’s daily lives and experiences than Hero’s Journeys or conflicts, though those can appear on a smaller scale. 

Many, many writers can and do have antagonist-less plots that work, and work well. My favorite example is Hayao Miyazaki’s movie Princess Mononoke- while it is full of conflict, nobody in the cast is painted as the bad guy. Rather, it’s a clash between nature and civilization, with different representatives of each that are not shown to be good or evil, fighting instead because they have conflicting interests. Miyazaki is actually famous for making movies without a strong sense of an antagonist, and is successful at it, so it’s worth checking out. 

Thank you for the question! 

This has been Evvy at FYCD

Similarities in Book Ideas

writeworld:

Anonymous asked: I have a story that I was happily working on until a friend pointed me to this thing called ‘The Host.’ I never heard from it (probably because it’s by S. Meyer) but I read a couple of summaries and… Well it’s quite similiar to my idea. The story isn’t the same, but the concept of host bodies and the human retaining control over the body and two minds sharing one host and… Yeah. I’m really discouraged, but also worried. Should I even continue with this story? Thank you in advance. :)

Write your story anyway. There are plenty of stories out there (the popular one to compare right now is The Hunger Games and Battle Royale) that share similar themes, character types, and other ideas. These similar ideas may actually be tropes, or conventions in writing that most authors are completely unconscious of using.

Don’t believe me? Check out all the tropes listed for just The Host on TVTropes.com. The big ones that apply to you may be Body and Host, Sharing a Body, and Puppeteer Parasites. If you spend enough time on TVTropes, you’ll realize that you’ve never had a single original idea in your life. It’s depressing and liberating at the same time.

Don’t worry about what Stephanie Meyer or anyone else is writing or has written. Worry about what you’re writing. Since you’re not Stephanie Meyer and your story isn’t The Host fan fiction, there will certainly be enough differences between your story and Meyer’s to set it apart as its own body of work.

Seriously, try not to be discouraged. We trust that your story will stand up on its own against any other book, not just The Host.

For more on similarities in book ideas, check out these links:

Below are some very useful additional comments made on this post by keyboardsmashwriters. With their permission, we have added their comments to our post:

Great advice, of course — it’s not about what you’re writing, it’s about how you’re writing it. If you look hard enough, you will find all of the elements from your story already in novels presently sitting on bookshelves.

But what you have to do is use these elements in a way that is new and unusual. After the influx of dystopian novels such as “The Hunger Games”, as an example, literary agents became inundated with dystopian submissions, and consequently sick of them.

BUT. If you have a dystopian that’s unlike any other dystopian, if it’s a strong book with an original premise and a fantastic combination of elements, then it doesn’t matter if it’s a dystopian or fantasy or paranormal romance. A good book is a good book, and what literary agents are looking for is something that will sell.

Write your book, this is what should always come first. After, have people read your book. Make changes to your book and perfect it until it sparkles. Then see if the publishing world is interested.

Remember that no one can tell your story like you can.

Thank you for your question!

fuckyeahcharacterdevelopment:

dfdwritingworkshop:

Writers Club: Ultimate Writing Resource List

shoopzig:

thelastrplord:

a massively extended version of ruthlesscalculus’ post

General Tips

Character Development

Female Characters

Male Characters

Tips for Specific Characters

Dialogue

Point of View

Plot, Conflict, Structure and Outline

Setting & Worldbuilding

Creativity Boosters* denotes prompts

Revision & Grammar

Tools & Software

Specific Help

YES

THIS IS A THING OF BEAUTY.

- Pen

amandaonwriting:

The 21 Key Traits of Best-Selling Fiction
Utility (writing about things that people will use in their lives)
Information (facts people must have to place your writing in context)
Substance (the relative value or weight in any piece of writing)
Focus (the power to bring an issue into clear view)
Logic (a coherent system for making your points)
A sense of connection (the stupid power of personal involvement)
A compelling style (writing in a way that engages)
A sense of humor (wit or at least irony)
Simplicity (clarity and focus on a single idea)
Entertainment (the power to get people to enjoy what you write)
A fast pace (the ability to make your writing feel like a quick read)
Imagery (the power to create pictures with words)
Creativity (the ability to invent)
Excitement (writing with energy that infects a reader with your own enthusiasm)
Comfort (writing that imparts a sense of well-being)
Happiness (writing that gives joy)
Truth (or at least fairness)
Writing that provokes (writing to make people think or act)
Active, memorable writing (the poetry in your prose)
A sense of Wow! (the wonder your writing imparts on a reader)
Transcendence (writing that elevates with its heroism, justice, beauty, honor)
To sell your fiction, you must pay attention to the Key Traits of Best-Selling Fiction. FYI, the twenty-one traits are arranged in a kind of rough order.
Appeals to the intellect. The first five: utility to logic. To you, the writer, they refer to how you research, organize, and structure your story. These are the large-scale mechanics of a novel.
Appeals to the emotions. From a sense of connection to excitement. These are the ways you engage a reader to create buzz. Do these things right, and people will talk about your novel, selling it to others.
Appeals to the soul.Comfort through transcendence. With these traits you examine whether your writing matters, whether it lasts, whether it elevates you to the next level as a novelist.
The 21 key traits of best-selling fiction are excerpted from The Writer’s Little Helper by James V. Smith, Jr.
Source: Writer’s Digest

amandaonwriting:

The 21 Key Traits of Best-Selling Fiction

  1. Utility (writing about things that people will use in their lives)
  2. Information (facts people must have to place your writing in context)
  3. Substance (the relative value or weight in any piece of writing)
  4. Focus (the power to bring an issue into clear view)
  5. Logic (a coherent system for making your points)
  6. A sense of connection (the stupid power of personal involvement)
  7. A compelling style (writing in a way that engages)
  8. A sense of humor (wit or at least irony)
  9. Simplicity (clarity and focus on a single idea)
  10. Entertainment (the power to get people to enjoy what you write)
  11. A fast pace (the ability to make your writing feel like a quick read)
  12. Imagery (the power to create pictures with words)
  13. Creativity (the ability to invent)
  14. Excitement (writing with energy that infects a reader with your own enthusiasm)
  15. Comfort (writing that imparts a sense of well-being)
  16. Happiness (writing that gives joy)
  17. Truth (or at least fairness)
  18. Writing that provokes (writing to make people think or act)
  19. Active, memorable writing (the poetry in your prose)
  20. A sense of Wow! (the wonder your writing imparts on a reader)
  21. Transcendence (writing that elevates with its heroism, justice, beauty, honor)

To sell your fiction, you must pay attention to the Key Traits of Best-Selling Fiction. FYI, the twenty-one traits are arranged in a kind of rough order.

  • Appeals to the intellect. The first five: utility to logic. To you, the writer, they refer to how you research, organize, and structure your story. These are the large-scale mechanics of a novel.
  • Appeals to the emotions. From a sense of connection to excitement. These are the ways you engage a reader to create buzz. Do these things right, and people will talk about your novel, selling it to others.
  • Appeals to the soul.Comfort through transcendence. With these traits you examine whether your writing matters, whether it lasts, whether it elevates you to the next level as a novelist.
The 21 key traits of best-selling fiction are excerpted from The Writer’s Little Helper by James V. Smith, Jr.

Source: Writer’s Digest

amandaonwriting:

The 7 habits of highly effective writers
Have you ever wondered why some people write easily and fluently, while others struggle and strain as if trying to squeeze a 185-lb body into a size six pair of jeans? In 30 years at this trade, I’ve noticed that effective writers tend to share seven traits. So, with apologies to Stephen Covey, here is my list.
Effective writers … 
1) Separate the writing and the editing processes. When they write, they write, not worrying about the quality of their work. Writer/director Cecil Castellucci says: ‘The best flowers are fertilized by crap.’ Remember this and give yourself permission to write a crummy first draft.Editing is a job for later. That’s when you’ll have plenty of time to rearrange big chunks of text, monkey around with sentence structure, obsess over word choice and fix punctuation.
2) Focus on the interesting. Effective writers (and speakers) always tell lots of stories. If they have to communicate something ‘theoretical’, they illustrate it with real life examples and anecdotes. They know that human beings don’t just crave food—they are also starved for stories.
3) Tap into the power of metaphor. As metaphor expert Anne Miller likes to say, ‘metaphors lead to instant understanding’. There are at least three metaphors in this article (can you find them all?)
4) Do adequate research. There is nothing more painful than trying to write when you have nothing to say. Effective writers understand that good research is all about asking interesting questions—of themselves, of the books, Web sites and reports they read and of anyone they interview. And this needs to be completed before any writing can begin.
5) Learn from the writing of others. Effective writers understand that they are lifelong apprentices. They learn by reading—constantly. Note: this is not just passive, flip- through-a-thriller-while-sitting-on-the-pool- deck kind of reading. This is active sit-up-and-pay-attention-to-technique dissection—similar to what a scientist would do in a lab. You won’t want to read this closely all the time, of course (it’s work—although fun work, to my mind). But effective writers do some of this every week.
6) Write in small bursts. Creative work doesn’t require oodles of time. That first draft you need to write? It’s best done in dribs and drabs, a little bit at a time. Instead of procrastinating, effective writers persuade themselves to write a little each day, no matter how frazzled and frantic they feel. (Editing, on the other hand, usually needs space, time and quiet.) 
7) Read their work out loud. Language isn’t just meaning—it’s also music. The most effective writers can often be found sitting by the computer keyboards, madly whispering to the screen, repeating their words back to themselves. Yes, it looks kooky and co-workers may become alarmed. But effective writers don’t care. They do it because it works.
By Daphne Gray-Grant
A former daily newspaper editor, Daphne Gray-Grant is a writing and editing coach and the author of 8 Steps to Writing Faster, Better. She offers a free weekly newsletter on her Web site the Publication Coach. This story first appeared on PR Daily in August 2011.
From Writers Write

amandaonwriting:

The 7 habits of highly effective writers

Have you ever wondered why some people write easily and fluently, while others struggle and strain as if trying to squeeze a 185-lb body into a size six pair of jeans? In 30 years at this trade, I’ve noticed that effective writers tend to share seven traits. So, with apologies to Stephen Covey, here is my list.

Effective writers … 

1) Separate the writing and the editing processes. When they write, they write, not worrying about the quality of their work. Writer/director Cecil Castellucci says: ‘The best flowers are fertilized by crap.’ Remember this and give yourself permission to write a crummy first draft.
Editing is a job for later. That’s when you’ll have plenty of time to rearrange big chunks of text, monkey around with sentence structure, obsess over word choice and fix punctuation.

2) Focus on the interesting. Effective writers (and speakers) always tell lots of stories. If they have to communicate something ‘theoretical’, they illustrate it with real life examples and anecdotes. They know that human beings don’t just crave food—they are also starved for stories.

3) Tap into the power of metaphor. As metaphor expert Anne Miller likes to say, ‘metaphors lead to instant understanding’. There are at least three metaphors in this article (can you find them all?)

4) Do adequate research. There is nothing more painful than trying to write when you have nothing to say. Effective writers understand that good research is all about asking interesting questions—of themselves, of the books, Web sites and reports they read and of anyone they interview. And this needs to be completed before any writing can begin.

5) Learn from the writing of others. Effective writers understand that they are lifelong apprentices. They learn by reading—constantly. Note: this is not just passive, flip- through-a-thriller-while-sitting-on-the-pool- deck kind of reading. This is active sit-up-and-pay-attention-to-technique dissection—similar to what a scientist would do in a lab. You won’t want to read this closely all the time, of course (it’s work—although fun work, to my mind). But effective writers do some of this every week.

6) Write in small bursts. Creative work doesn’t require oodles of time. That first draft you need to write? It’s best done in dribs and drabs, a little bit at a time. Instead of procrastinating, effective writers persuade themselves to write a little each day, no matter how frazzled and frantic they feel. (Editing, on the other hand, usually needs space, time and quiet.) 

7) Read their work out loud. Language isn’t just meaning—it’s also music. The most effective writers can often be found sitting by the computer keyboards, madly whispering to the screen, repeating their words back to themselves. Yes, it looks kooky and co-workers may become alarmed. But effective writers don’t care. They do it because it works.

By Daphne Gray-Grant

A former daily newspaper editor, Daphne Gray-Grant is a writing and editing coach and the author of 8 Steps to Writing Faster, Better. She offers a free weekly newsletter on her Web site the Publication Coach. This story first appeared on PR Daily in August 2011.

From Writers Write